ADSP Chapter 24: The blues will never die. Here's one reason: Audiences have a visceral response to the music, even if it's done merely adequately. And when it's done well, the audience reaction can be amazing. Either way, when somebody is playin' da blooze it means that guys will be drinking and girls will be dancing. In other words, a good time will be had by all.

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ADSP Chapter 23: When hired guns go solo, the results can be "meh" or "yowza," but studio great Carl Verheyen ("ver-HIGH-un") consistently wows the crowds. Los Angeles is full of guitar aces for hire and one of the best has a name you can't pronounce. You have heard quite a lot of the work of Carl Verheyen even though you may not be aware of it.

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ADSP Chapter 21: Some guitarists play at lightning speed but it's the tone, the style, and the aura of magic that define the true heroes of the electric guitar. Joe Satriani. You've heard his work or you've heard his name, and he's either the greatest thing since sex or he's simply a technical master who goes through his shtick very well but has no true worth. (I look forward to your letters.)

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ADSP Chapter 22: Blues guitar virtuoso Buddy Guy succeeds on every level from soul to sizzle to showmanship. Sitting in his trailer before taking the stage for a festival performance, Buddy Guy is philosophical about his place in the pantheon of blues guitarists.

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ADSP Chapter 2 -- God of Guitar: A Visceral Reaction to Jeff Beck -- There are 6,189 seats in the Gibson Amphitheater and guitar players are in 5,133 of them. Girlfriends of guitar players are in the rest. The occasion is a rare appearance by Jeff Beck, a somewhat reclusive Englishman whose stunning fret-board work has influenced pop, rock, heavy metal, blues, R&B, and jazz-rock fusion.

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BOOK REVIEW: When you die, what happens? Lots of folks are attempting to make money by demonstrating they have the answer, but there's this teeny-tiny thing called facts getting in their way. Mary Roach finds humor in every bone-chilling moment of her investigation.

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ARTICLE: There I was, working at an ad agency whose main office was located not too far from Amoeba Records and the Cinerama Dome in Hollywood, not to mention a whole bunch of clubs, bars, nightspots, and everything else in that gaudy cesspool known as Tinsel Town. The ad shop was a medium-sized place with only a couple dozen employees but they had some very busy retail accounts like car dealerships and a national chain of pizza restaurants.

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